From producing my animatic video, I noticed that my video didn't have enough shots, and it looked boring and uninteresting, so to change this, I went back to my storyboard and drew up more shots to add into my music video. Shot 6 on the left is to the lyric "can't deny can't deny". Originally this shot was apart of a 7 second shot, but I have narrowed it down to a 2 second shot to break up the scenes a little. The shot includes Blossom running after Joe as he is about to walk out the door after an argument. Shot 9 which is also on the left is to the lyric "I should be over all the butterflies"which is in the chorus of the song. It includes Blossom performing to the camera in the location of a grassy field singing the lyrics towards the camera.
These next shots are shot numbers 12 and 17. Shot 12 is of Blossom again in the grassy location singing towards the camera. Her facial expressions will be serious to show that she is serious about her love for her boyfriend. Shot 17 is of Blossom back in the main location of her bedroom again singing towards the camera to the lyrics "I told you that I told you that I loved ya". Blossom will be laid on the bed but whilst singing the lyrics she will lift up from the bed showing a dreamy expression on her face.
Shot 21 is the same as shot number 9, in the grassy location whilst Blossom is performing to the camera miming the lyrics "I should be over all the butterflies". Shot 25 is in exactly the same location as shot number 21 but she is singing a different lyric which is "I'm into you". She is also performing the same dreamy like facial expressions and body language.
Shot 28 is the start of the 14 second instrumental. In this shot, Blossom is laid on Joe's knee looking at him like she is in love with him. This shot will last for 2 seconds of the instrumental. The location will be in a grassy location like a park or a field. Shot 29 last for another 2 seconds and it is a shot of a photo of Blossom and Joe standing together holding hands.
Shot number 30 and 31 is apart of the instrumental also. Shot 30 lasts for a total of 2 seconds, and it is a photo of Blossom and Joe together again. Shot 31 is a shot of Blossom running around a field like a little girl, showing that she is in love with him and she is giddy and excited about him. This shot lasts for 4 seconds. This shot will also include some effects such as blurriness and some sped up and slowed down editing. This will represent that her mind is slightly deluded and dysfunctional.
Shot 32 last for the last 4 seconds of the instrumental. This shot includes Joe sat on a bench or on a chair drinking a cup of coffee. The coffee cup is a prop that I need to get hold of from a coffee shop such as Starbucks or Costa Coffee. There will also be editing on this shot again the blurriness to represent that Joe is not real and is apart of her imagination. Shot 42 is after the instrumental and is a shot of crumpled up pictures on the floor of the couple, but the pictures are only of her.
Shot 44 is to the lyrics "I'm into you (i'm into you)". The mise en scene is Blossom sat up against her bedroom wall with a pile of crumpled photographs next to her. She is sat on the floor crying with make up running down her face. Shot 46 is to the lyrics "Yeah after all this time I'm still into you". The mise en scene is the same as shot number 44 but Blossom is sat up against the wall banging her head representing that she is trying to figure out what is going on.
Shot 48 is one of the last shots of my music video. It is of Blossom attempting to set alight a photograph that originally was of her an Joe, but now is only of her. This is to show her frustration and anger about everything that had happened in the music video.
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